Orchestra Banners, Volume 2

I mentioned in a recent entry that I had a little update, regarding the Slingers banner - here it is, in a wonderful photo taken at the recently restored Kessler Theatre. If you can look past Matt's fantastic 1920s Odd Fellows robe, you'll see the set of six stand-flags that I designed and executed. They come from the same panels of surplus velveteen and crushed velvet as the original orchestra banner (standing faithfully in the rear) - just smaller versions, focusing on the lotus flower element. I would have gone with an initialed concept, but seeing the letters "SS" just might not have communicated the positive vibe I was going for...

As with the banner, the flags were initially designed on newsprint, which was then cut into a template. After much cutting and pinning, the layers were sewn by machine (my much-beloved Pfaff 7550) - finished, they are secured to the music stands with velcro. I'm very happy with how they turned out, adding yet more vintage character to the performances.

I'm currently working on a couple of costume projects - once ready, I'm eager to post photos here. Once again, keep your eye out!

Fun with Folkwear

This summer I've taken it upon myself to review and strengthen my sewing skills, reaching outside of my prior comfort zone with new patterns, fabrics and techniques. The Slingers banner posed new design challenges (more on that with an update to come) - this time around, I couldn't help but play with wispy textiles. When I saw this wonderful, Art Deco-inspired yoryu fabric in the clearance section of Joann Fabrics, I knew I would finally work on a pattern I'd longed to approach: Folkwear #214, a 1927 tea frock.

The design is very simple, and offers several options - long or short sleeves, collar or no collar, smocking or a flat drop-waist, as well as period-correct embroidery patterns. I decided to go with short sleeves (they're like fluid little wings!), and the basic waist - adding a sash to the left side, thus concealing the closure hooks and snaps. It had to be cool and free-flowing for dancing, as I'm gradually retiring my fragile vintage pieces, in favor of dance-friendly new ones. I performed on April 8th in this, and it is Ideal for the Charleston. The yoryu was a joy to play with, especially once I'd figured out the secret of sewing sheer fabric on top of newsprint - it made the work immensely faster and easier!


The cloche is an original, circa 1927-29, found at a wonderful estate sale on Eastern Avenue in Cincinnati, OH back in the early 1990s. These photos were taken at a garden party today, at our dear friend Rawlins Gilliland's beautiful home - Matt and Tom Pecena (a great friend, as well as my dance partner) were happy to pose for these photos.

I'm certain there will be more costumes to come - I recently bought a slew of reprint patterns from the 1910s -1930s, and expect this summer to be busy! Stay tuned...

A Moment of Calm in a Creative Storm

This is just a quick update, before photographing (and posting) a few recent projects that I'm happy to share. With the increase in Slingers activity this season, I've been working at both the drawing board and sewing machine - one project is shown today, several more to follow in very short order.

So, to the poster! For this event, I wanted to break away from my recent tendency toward pretty ladies, and decided to simplify. I figured that muted colors, simple lines and kooky whimsy would work well - so I went with dancing instruments, a male crooner (based on Matt's wardrobe) and a background largely inspired by the ceiling of Cincinnati's Art Deco masterpiece, Union Terminal:

This is a landmark that I grew up admiring - as would any Cincinnatian with any level of good taste. The building is graced throughout with magnificent architectural details, but what strikes me indescribably is the incredible ceiling. Soft tones radiate from the center, trimmed with silver-leaf... impeccable artistry. Like so many marvels in our country, Union Terminal was once at risk of being razed - fortunately it now serves as Cincinnati's Museum of Natural History, as well as its original purpose - the city's passenger train station.

The illustration was done, as usual, with colored pencil and ink. Mica-based metallic inks are such a joy to work with - this piece was no exception.

Keep your eye open for another post, coming along this evening - with a focus on costuming. Thanks as always for stopping by!

Getting the Word Out

The weather is finally beginning to break, my jasmine plants are sprouting forth new leaves, our pups have a little extra bounce in their step... as such, I couldn't resist cherry blossoms, rose bushes and parasols, as demonstrated in today's blog illustration. (But first, a closer look at our model's lovely face, framed in a straw cartwheel hat. I'm a stickler for delineating woven details...)


With the resurgence of springtime here in Dallas, The Singapore Slingers are putting on two Valentine-centric concerts - and naturally this brought forth my illustrative tendencies. I'm so pleased that Matt enjoys and nurtures my work, encouraging me to create posters and announcements for the orchestra - to say that this kind of work feeds my spirit is an understatement. (Another peek at those tasty cherry blossoms...)


The Slingers are currently in a stage of wonderful growth, following a recent article in the Dallas Morning News. More press equals more listeners, and the last couple of shows were sold out completely. This weekend (in the second listing on the above poster), they will be performing for the first time at the Kessler Theater, a restored, early 1930s movie house, complete with a beautiful dance floor - a rarity at Slingers shows. With the ongoing increase in shows and followers, you can bet that more related illustrations are on the way - as well, more costumes. For instance, a certain lemon yellow length of silk is calling my name, aching to be made into a circa 1927 tea dress, ideal for dancing... meantime, enjoy the featured poster, assured that more good things are on the way. (And finally, we'll finish with feet. My underlying fixation on ballet shoes is never far beneath the surface of just about everything I draw...)

New Year's Greetings, and a Special Commission...

First off, many Happy New Year greetings from Matt and I! Although this photo was taken last summer, I bumped into it this morning, and the sheer joy captured within serves as a proper representation for our benevolent wishes. It also does well as an advertisement for Percy Medicine, a true throwback to the cures of the early 1900s. They still exist, right over in Waco, Texas - we were in town to take part in our good friend Radio Dismuke's annual Record Collector's Party Broadcast (look up his online radio show at www.happymusicradio.com). And now, on to the commission...


Two of our dear friends, one a member of the Singapore Slingers, are the proud owners of two Dobermans, as well as a Maine Coon and Turkish Van. As we well understand, they hold their pets on the same level as parents do their own children - so it only made sense that a portrait was in order. Scott, the husband of the twosome, ordered it as a Christmas gift for his wife, Cassie - and a series of photographic and personality-descriptive emails ensued. Images of the dogs and cats, as well as point-by-point analysis of their characters, came along - something that I keenly appreciated, as an animal's personality is just as important as physical characteristics when working on a portrait.


Here are Breitling and Skylar. Breitling is actually one of the top champion Dobermans in the country, both in showing and agility. He is now retired, but ever the graceful creature. Skylar came from a rescue group, and is a truly loving girl. As I worked on the sketches, I came to see many physical similarities between Dobermans and Greyhounds - as I later learned, the breeds are very closely related.


This is Risha, the Turkish Van. Another champion, also retired from the show circuit - she sounds like a hell of a character, very much her own entity. I was unfamiliar with this breed, and understandably so - they are very rare, and have their own set of unique personality traits. Example? They often enjoy swimming...


This is Emily, the Maine Coon of the crowd. Scott tells me that she "lives on a level of existence all her own", and has a habit of picking tit-for-tat fights with Skylar, on a daily basis. Finally, I should add that the background, made of blue-shadowed ribbons, is a little tribute to the accomplishments of these animals. On top of the championships in the family, Breitling and Sklyar are both therapy dogs.


Finally, a photo of the framed piece, ready for Christmas morning. I was thrilled when Cassie told me how much she loves it - although I hadn't yet met the animals when I worked on the illustration, she let me know that I had caught them perfectly, in both appearance and nature. So pleased that it went so well.

And now, with the new year's arrival I'm working on several new animal-centric pieces, with aims toward new prints, as well as possible designs for other printed products. Keep an ear out for updates. And, again, Happy New Year - our best wishes for a wonderful 2011!

Sunday Snippets

As promised, here are a few close-ups of the "Night in the Orient" poster, showing some of the work in a much higher resolution. These are digital photos of the piece, so forgive any cloudiness/washiness of color. First off, let's have a look at our model from the waist up...

As is my habit, I've tipped her turban with metallic ink - a scanner-friendly method of capturing light, without clogging up the works via the tinsel I'm so fond of using (shown in the trapeze artist piece, in the last entry). I stuck with my trusty Prismacolors for her plumage, much as I did for that of her peacock friend...

Admittedly there are spots of ink in the tail, but largely the colored pencils are doing the work. Peacock feathers are a near-obsession for me - I love drawing them, and observing their incredible sense of fluidity and spectrum. I remember, years ago, a friend telling me that her family refused to allow them in her home - an old cultural bias, stating that they brought bad luck. I'm so grateful that my mother didn't believe in such hash, liberally distributing them throughout our home... particularly in the late 1970s. Her sense of style clearly influenced that of her daughter...
And finally, a little feature time for our feathered friend. His chest and tip of his tail have sadly been a touch washed thanks to the camera, but this will do. Granted, this poster reflects the all-encompassing attitude characteristic of the Oriental fox trot - that is, doing all that's possible to capture the cultures of the Middle East, as well as Asian countries. Thus the peacock, alongside a concubine and hookah. This type of music was a purely American invention, much like other pseudo-cultural crazes our country was so fond of getting wrapped up in during the early 20th century - I figured this was a suitable illustration to convey that sense of presumptuous exoticism, for lack of better term.

As an aside, another peacock memory has been stirred. My father, who was a deeply accomplished classical tenor, had a true knack for mimicking peacocks. If I had a dollar for every time he got those birds going during our Cincinnati Zoo visits, I'd be rolling in dough...

A Night in the Orient

How could I have forgotten this latest illustration? I meant to post this in my last entry - the advertisement poster for the recent, aforementioned "Night in the Orient" concert. Everything but the photograph and banner font was hand-illustrated - with luck, I will post close-ups in the next entry. For now, enjoy this peacock-focused flight of fancy!